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Samuel Ricke

J.S. Bach: Matthäus-Passion, BWV 244: VIII. Recitative: Aber am ersten Tage der süssen Brod

Samuel Ricke

3:00	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	20	30	8	6	92%
	24	0	8	5	97%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	20	30	8	6	92%
	24	0	8	5	97%
Continuo.	24	0	8	5	97%
Violone	24	0	8	5	97%
Evangelist.	16	0	6	4	79%
Violino I.	15	0	5	6	69%
	18	0	5	5	67%
Viola.	18	0	5	6	69%
Basso.	17	0	5	4	63%
Alto.	13	0	4	3	42%
Bassoon	21	0	6	4	42%
Soprano.	13	0	5	2	39%
Flauto traverso II.	12	0	2	3	29%
Oboe II.	13	0	2	3	29%
Flauto traverso I.	12	0	1	3	26%
Oboe I.	12	0	1	3	26%

J.S. Bach: Brandenburg Concerto No. 1, BWV 1046: IV. Menuet - Trio - Polonaise

Samuel Ricke

10:40	Est. Play Time
125	Measures
	1,414Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.	19	18	5	6	80%
	19	0	3	5	49%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.	19	18	5	6	80%
	19	0	3	5	49%
Oboe I.	19	0	4	9	72%
Viola.	18	0	4	7	49%
Violino I.	21	0	3	9	49%
Violino II.	19	0	4	8	49%
Violoncello.	19	0	3	5	49%
Violone.	19	0	3	5	49%
Corno I.	10	0	1	8	48%
Corno II.	8	0	0	8	46%
Fagotto.	21	0	5	5	45%
Oboe II.	12	0	2	7	45%
Oboe III.	9	0	1	7	21%
Violino piccolo.	13	0	2	9	21%

Requiem in D Minor, K. 626, III. Sequentia: Tuba Mirum By W. A. Mozart

Samuel Ricke

3:08	Est. Play Time
62	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello ed Basso.	32	0	11	6	96%
Viola.	19	7	6	5	92%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello ed Basso.	32	0	11	6	96%
Viola.	19	7	6	5	92%
Violino I.	28	1	11	5	92%
Violino II.	20	2	6	5	92%
Tenore solo.	12	0	5	7	44%
Trombone tenore solo.	18	0	6	6	44%
Basso solo.	18	0	5	8	40%
Soprano solo.	9	0	2	6	32%
Alto solo.	12	0	4	7	27%
Corni di Bassetto in F.	14	0	4	4	27%
Fagotto.	15	11	5	5	23%

Requiem in D Minor, K. 626, III. Sequentia: Recordare By W. A. Mozart

Samuel Ricke

7:10	Est. Play Time
130	Measures
	1,627Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello ed Basso.	36	0	13	7	92%
Violino II.	24	0	6	8	92%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello ed Basso.	36	0	13	7	92%
Violino II.	24	0	6	8	92%
Viola.	23	0	8	7	88%
Violino I.	25	0	9	8	86%
Soprano Solo.	18	0	6	6	68%
Tenore solo.	14	0	5	6	65%
Basso solo.	19	0	7	6	60%
Corni di Bassetto in F.	21	0	7	6	59%
Alto solo.	15	0	4	6	58%
Fagotti.	24	35	7	6	47%

Requiem in D Minor, K. 626, IV. Offertorium: Domine Jesu By W. A. Mozart

Samuel Ricke

3:42	Est. Play Time
78	Measures
	2,990Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.	26	0	9	6	100%
Violino I.	31	0	11	8	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.	26	0	9	6	100%
Violino I.	31	0	11	8	100%
Violino II.	30	0	11	7	100%
Organ	49	131	20	7	95%
Tenore.	18	0	7	7	94%
Violoncello, Basso ed Organo.	42	0	17	6	91%
Alto.	18	0	7	8	91%
Soprano.	21	0	8	8	85%
Basso.	20	0	7	7	79%
Fagotti.	29	1	11	6	68%
Corni di Bassetto in F.	21	0	8	7	60%
Trombone II.	16	0	6	6	59%
Trombone I.	16	0	6	7	54%
Trombone III.	18	0	6	6	47%

Requiem in D Minor, K. 626, IV. Offertorium: Hostias By W. A. Mozart

Samuel Ricke

4:38	Est. Play Time
89	Measures
	2,227Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.	32	0	15	7	100%
Violino II.	30	0	13	5	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.	32	0	15	7	100%
Violino II.	30	0	13	5	100%
Organo	48	124	22	8	99%
Violoncello, Basso ed Organo.	42	0	19	5	99%
Viola.	23	0	10	6	99%
Tenore.	14	0	5	8	92%
Alto.	15	0	7	8	90%
Basso.	22	0	9	8	89%
Soprano.	18	0	7	8	87%
Fagotti.	29	1	11	8	79%
Corni di Bassetto in F.	21	0	9	8	71%
Trombone II.	13	0	4	6	34%
Trombone I.	15	0	6	7	31%
Trombone III.	17	0	6	6	30%

J.S. Bach: Matthäus-Passion, BWV 244: IV. Recitative & Chorus: Da versammleten sich die Hohenpriester

Samuel Ricke

3:46	Est. Play Time
49	Measures
	1,650Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	14	14	2	5	20%
	21	52	9	8	96%
View all 32 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	14	14	2	5	20%
	21	52	9	8	96%
	14	0	0	3	12%
	26	0	11	7	94%
Violone.	14	0	0	3	12%
	26	0	11	7	94%
Continuo.	26	0	11	7	94%
Tenore.	19	0	7	6	71%
	10	0	1	3	12%
Viola.	20	0	6	7	63%
	7	0	0	3	12%
Violino I.	20	0	6	6	63%
	13	0	0	3	12%
Violino II.	10	0	2	3	12%
	18	0	5	6	63%
Basso.	12	0	0	3	12%
	19	0	6	5	61%
Alto.	12	0	4	4	35%
	7	0	0	3	12%
Fagotto.	14	0	0	4	12%
	24	0	8	5	35%
Oboe I.	8	0	1	3	12%
	14	0	4	5	35%
Oboe II.	16	0	4	4	35%
	12	0	2	3	12%
Soprano.	7	0	1	3	12%
	14	0	4	5	35%
Flauto traverso I.	19	0	7	4	33%
	14	0	0	3	12%
Flauto traverso II.	19	0	7	4	33%
	14	0	0	3	12%
Organo e Continuo.	14	0	0	3	12%

J.S. Bach: Matthäus-Passion, BWV 244: I. Chorus - Kommt ihr Töchter helft mir klagen

Samuel Ricke

10:51	Est. Play Time
90	Measures
	7,150Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.	9	0	0	4	28%
	9	0	0	4	28%
View all 35 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.	9	0	0	4	28%
	9	0	0	4	28%
	20	0	6	4	82%
	25	0	9	4	100%
Fagotto.	20	0	6	4	82%
	25	0	9	4	100%
Violoncello.	20	0	6	4	82%
	25	0	9	4	100%
Violino I.	28	0	10	5	100%
	28	0	10	5	81%
Flauto traverso II.	28	0	10	7	100%
	26	0	10	6	80%
Oboe II.	24	0	9	6	100%
	23	0	8	6	80%
Viola.	21	0	5	6	80%
	23	0	7	5	100%
Violino II.	27	0	9	6	100%
	25	0	8	6	80%
Organo	23	67	8	5	100%
Violone.	25	0	9	4	100%
Oboe I.	22	0	8	5	99%
	23	0	9	6	81%
Flauto traverso I.	24	0	9	7	99%
	22	0	9	6	79%
Organo.	23	63	8	5	82%
Violone	20	0	6	4	82%
Alto.	15	0	6	5	43%
	18	0	6	6	69%
Tenore.	19	0	6	6	69%
	16	0	4	4	43%
Soprano.	16	0	5	6	68%
	15	0	4	5	46%
Basso.	23	0	8	6	66%
	16	0	4	5	43%
Soprano ripieno.	9	0	0	5	28%

Mozart: Great Mass "Große Messe" in C Minor, K. 427: I. Kyrie

Samuel Ricke

6:48	Est. Play Time
94	Measures
	2,544Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo	46	144	19	7	98%
Viola.	25	5	10	8	98%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo	46	144	19	7	98%
Viola.	25	5	10	8	98%
Violino I.	30	4	12	7	98%
Violino II.	27	4	10	8	98%
Violoncello, Basso ed Organo.	36	0	14	7	89%
Fagotti.	24	9	9	8	73%
Soprano.	18	0	6	6	66%
Oboi.	24	6	9	7	61%
Alto.	17	0	6	8	59%
Tenore.	18	0	6	8	52%
Basso.	19	0	7	8	50%
Trombone I.	14	0	4	7	41%
Soprano Solo.	22	0	7	12	40%
Trombone II.	18	0	6	6	36%
Corni in C.	6	5	1	6	30%
Trombone III.	17	0	5	6	24%
Trombe in C.	5	4	0	6	19%
Timpani in C.G.	2	0	0	6	14%

Mozart: Symphony No. 39 in E♭ Major, K. 543: II. "Andante con moto"

Samuel Ricke

18:36	Est. Play Time
161	Measures
	2,004Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	24	0	9	7	95%
Violino II.	24	12	10	9	93%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	24	0	9	7	95%
Violino II.	24	12	10	9	93%
Viola.	24	8	8	8	92%
Violino I.	32	2	17	11	89%
Basso.	24	0	9	6	76%
Fagotti.	23	34	9	8	59%
Clarinetti in B.	26	45	8	8	58%
Corni in Es.	11	8	1	5	50%
Flauto.	22	0	9	7	41%

Mozart: Symphony No. 40 in G Minor, K. 550: II. "Andante"

Samuel Ricke

12:38	Est. Play Time
125	Measures
	2,312Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.	26	0	10	6	98%
Violino II.	29	4	11	8	97%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.	26	0	10	6	98%
Violino II.	29	4	11	8	97%
Violino I.	34	1	15	8	96%
Contrabasso.	25	0	10	5	90%
Violoncello.	26	0	10	5	90%
Fagotti.	25	25	9	7	57%
Clarinetti in B.	26	29	9	7	53%
Oboi.	23	26	10	5	35%
	23	34	11	7	52%
Corni in Es.	11	10	2	5	48%
Flauto.	19	0	9	7	47%